I don’t fuck with him… and you can print that.

This guy just seems to be full of interesting press bits. When VIBE asked him if he’d be reuniting with Lil Wayne on Carter 4, Bangladesh revealed that he had yet to be paid for his work on Carter 3:

“It’s [Wayne and Baby's] responsibility to pay [me] because all the money from album sales goes to Cash Money. I get checks from Sony for Beyoncé, checks from different labels for different artists, it just comes to you. You don’t have to call them, sue them and all that junk. This is what you’re owed.”

He continues, “I don’t really give a fuck about [Wayne]. I can’t give a fuck about somebody that don’t give a fuck about my situation, I have kids. In the hood, people get killed for ten dollars. I couldn’t imagine owing someone hundreds of thousands of dollars and just walking around in front of them. I’m so confident in myself, that I don’t need Lil Wayne. There’s gonna be so many opportunities. I can create a Lil Wayne.”

He went on to say what’s on everyone’s minds.

“This is why Mannie Fresh don’t fuck with [Cash Money] because he never got any royalty money. That’s why Baby can go around flaunting this cash, because that’s everyone else’s money… It’s not even Wayne’s fault. Wayne is not getting money. He is given money, he’s not getting money. If Baby gets a million dollars he’ll buy Wayne a Phantom, but that’s in Cash Money’s name. That 14-bedroom mansion isn’t Wayne shit,” he says. “That’s why he have his own company, because he was trying to leave Cash Money and the only thing that would keep him there was [if they] gave him his own thing. But Baby still controls that. All those Young Money artists don’t even know that they not getting royalty money.”

This isn’t the first time this month we’ve heard about producers seeking out their royalties for Carter 3:

And the beat goes on. According to the New York Post, fellow Carter III producer, Jim Jonsin—responsible for Wayne’s infectious lead single, “Lollipop”—filed a $500,000 lawsuit against Wayne on April 20 for missing royalty payments. In May 2009, Dallas production duo Play-n-Skillz also mentioned to a local radio station that they were yet to reap any monetary benefits from their work on Wayne’s third single featuring, T-Pain, “Got Money.”

So Jim Jonsin asked for 500K and Bangladesh wants another half a mil, and these two guys basically made Carter 3 what it was with “Lollipop” and “A Millie.” Baby doesn’t seem to be paying the people that helped him get all that money, yet he found the time to make corny internet videos like this and this over the weekend.

Dear Lil Wayne Stop Promoting the Bloods

By Casey Gane-McCalla November 4, 2009 3:58 pm

http://theurbandaily.com/news/casey-gane-mccalla/dear-lil-wayne-stop-promoting-the-bloods/

Dear Lil Wayne,

My friend brought over your mixtape , No Ceilings, the other day and I gave it a listen. I have to say I was impressed. You clearly are a talented rapper with an excellent ability to ride beats, clever wordplay and smart punchlines.

Still one thing about the mixtape disturbed me. Your constant references to the Blood gang and soo woops seem like something a 15 year old kid might be saying, not a veteran rapper who has been in the game for more than 10 years.

I realize that many people in poor neighborhoods join gangs because of peer pressure, the threat of other gangs, for a way to make money and for  a sense of family. Still, you have been a professional rapper earning money since you were 14. What reason did you have for joining the Bloods? It seems that you are claiming the Bloods to increase your street credibility and help your record sales.

After the Derrion Albert beating, we see the negative effects gangs have on African American youth. Everyday, gang violence leads to teenagers in the hood getting stabbed, shot or jumped. As the “Best Rapper Alive,” when you start bigging up a gang it makes it seem cool to your young fans. These young fans who use your slang, dress like you dress and idolize you, now want to be in a gang like you.

I know you don’t think you’re a role model. Still your record label, BET and urban and pop radio are constantly marketing your music to children between the ages of 10 and 14. When they play you Lollipop single on BET, the kids who watch you buy your album and mixtapes and get to hear all your Blood gang propaganda.

Hopefully, your time in jail will give you time to reflect about your actions. Gang violence is a big problem for young black males.  In L.A. two thirds of all youth killings are gang related. Gang members are 60 times more likely to be killed than non gang members.

Being in the Bloods might be cool for you, but for the thousands of kids in the hood who join, it is a deadly choice, that far to often leads them to jail or the morgue.

Please, for the sake of your impressionable fans and the image of African Americans across the world, stop promoting the Bloods. You are a very clever young man with more power than you may know.

Sincerely

Casey Gane-McCalla

Return to Davey D’s Hip Hop Corner

d

I never understood why Wayne & Birdman waited til they were millionaires to start claiming Bloods 5 years ago. If that isn't a joke I don't know what is

Ladies and gentleman, this shows that despite what you may think, CMR are actually very smart, if not shrewd, businessmen.

01. Swag Surfin’
02. Ice Cream Paint Job
03. D.O.A.
04. Interlude
05. Wasted
06. Watch My Shoes
07. Break Up (feat. Short Dawg & Gudda Gudda)
08. Banned From TV
09. Throw It In The Bag (Remix)
10. I Think I Love Her (feat. Tyga & Shanell)
11. Interlude #2 (feat. Shanell)
12. Wetter
13. I’m Good (feat. T-Streets)
14. Poke Her Face (feat. Jae Millz)
15. Run This Town
16. I Gotta Feeling
17. Outro

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   He's finally back to rapping with no autotune on this one